{"id":120,"date":"2015-07-24T20:46:49","date_gmt":"2015-07-24T20:46:49","guid":{"rendered":"http:\/\/www.ouunpo.com\/?page_id=120"},"modified":"2015-08-26T08:32:34","modified_gmt":"2015-08-26T08:32:34","slug":"porto","status":"publish","type":"page","link":"https:\/\/www.eegsynth.org\/ouunpo\/porto","title":{"rendered":"Porto"},"content":{"rendered":"<p class=\"p1\" style=\"text-align: justify;\"><b><i>OuUnPo[RTO] \u201cRECREATIVE TEMPORARY ORBIT\u201d <\/i><\/b><\/p>\n<p style=\"text-align: justify;\"><em>April 3-6, 2012<\/em><\/p>\n<p style=\"text-align: justify;\">\u00abAs ideias s\u00e3o prodigiosas &#8211; elas e a maneira como se associam. Num momento, descobrimos que atravessamos o mundo, e que transpomos o infinito entre dois pensamento.\u00bb Fernando Pessoa<\/p>\n<p class=\"p1\" style=\"text-align: justify;\">This OuUnPo session gravitated around concepts such as path, ceremony, decadence, heteronomy. The title OuUnPo[RTO] stands for \u201cRecreative Temporary Orbit,\u201d a loose concept encouraging any kind of approach to decipher the city, its artistic scene and its social political concerns in times of financial crisis. The program was shaped as an imaginary book and each chapter was freely refering to a quote of Fernando Pessoa. The content of each chapter was kept secret until the first day\u2019s \u201cPrologue\u201d while the actual program remained unknown until its gradual unfolding. Participants were asked to bring a bathing costume and a completely black outfit.<\/p>\n<div style=\"text-align: justify;\">\n<div align=\"left\">Photographic documentation can be found <a href=\"http:\/\/a-fundacao.blogspot.jp\/2012\/04\/reminiscence-of-ouunpo-at-fundacao-04.html\">here<\/a> and <a href=\"http:\/\/www.facebook.com\/media\/set\/?set=oa.366454460091281&amp;type=1\">here<\/a>.<\/div>\n<\/div>\n<div style=\"text-align: justify;\" align=\"left\"><\/div>\n<div style=\"text-align: justify;\" align=\"left\"><strong>Some highlights of the program<\/strong><\/div>\n<div style=\"text-align: justify;\" align=\"left\">The session included talks, performances, book presentations, night walks and rituals by visiting and local artists, curators and musicians. Different forms of collective agency were explored. From a collective musical improvisation with the Shrosh Ensemble, the group engaged for the first time in a collective performance especially conceived by the session&#8217;s curators for the exhibition\u00a0<i>Locus Solus <\/i>at the\u00a0Museu Serralves. A tribute to Raymond Roussel\u2019s inventions and games, the performance used a score of instructions as a machine to trigger a theatrical game which revolved around\u00a0Marcel Duchamp\u2019s <i>La Mari\u00e9e mise \u00e0 nu par ses c\u00e9libataires m\u00eame<\/i>. Another form of relatedness, awareness and perception\u00a0has been explored by Per\u00a0H\u00fcttner and Fatos\u00a0\u00dcstek with\u00a0<i>Her Sad Pardone<\/i>\u00a0at the stunningly beautiful Chapel of the Lord of Stone, a small church overlooking the ocean. The performance consisted in an exercise in contemplation which led to the production of texts. These texts, first hidden by the participants and then recollected by Fatos\u00a0\u00dcstek through a magical pendulum, were read aloud leaving the group in a silence full of astonishment. Those being read were in fact beautiful literary and philosophical texts\u00a0that the performers had selected and already hidden around the temple.\u00a0The contributions of the participants were left to be discovered by anonymous passers-by.<\/div>\n<div style=\"text-align: justify;\" align=\"left\"><\/div>\n<div style=\"text-align: justify;\" align=\"left\"><strong>Organizers<\/strong><\/div>\n<div style=\"text-align: justify;\" align=\"left\">Claudia Squitieri and Samon Takahashi. Curatorial assistance Maud Malon.<\/div>\n<div style=\"text-align: justify;\" align=\"left\"><\/div>\n<div style=\"text-align: justify;\" align=\"left\"><\/div>\n<div style=\"text-align: justify;\" align=\"left\"><b>Participants and Contributors<\/b><\/div>\n<div style=\"text-align: justify;\" align=\"left\">\n<p class=\"p1\">From the OuUnPo network:\u00a0Yane Calovski, Raffaella della Olga, Sara Giannini, Per H\u00fcttner, Elena Nemkova, Daniela Paes Leao, Marco Pasi, Claudia Squitieri, Samon Takahashi, Fatos \u00dcstek, Stephen Whitmarsh<\/p>\n<p class=\"p1\">Local Participants:<b>\u00a0<\/b>Jose Almeida Pereira, Casa Viva, Miguel Carvalhais, Andr\u00e9 Cepeda, Ewen Chardronnet, Sandra Correia, Lisa Cepeda, Gustavo Costa, Norberto Fernandes, Joao Filipe, Miguel Flor, Funda\u00e7ao, Diana Gon\u00e7alves dos Santos, Marita Lumi, Celia Machado, Susana Medina, Maud Malon, Loreto Martinez Troncoso, Cristina Regadas, Srosh Ensemble.<\/p>\n<p class=\"p1\"><b>Partners and Venues<\/b><\/p>\n<p class=\"p1\">Culturgest, STOP, Gaia, Casa da Musica, Funda\u00e7ao, Maus Habitos, Serralves Casa Rosa, Museu Funda\u00e7ao Serralves, Materia Prima, 559, Miramar, Inc., Pla\u00e7a Marques Plombal, Casa Viva, Cometa Restaurant.<\/p>\n<p class=\"p2\"><b>Supported by <\/b>Link\u00f6pings universitet<\/p>\n<\/div>\n<div style=\"text-align: justify;\"><\/div>\n<div style=\"text-align: justify;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>OuUnPo[RTO] \u201cRECREATIVE TEMPORARY ORBIT\u201d April 3-6, 2012 \u00abAs ideias s\u00e3o prodigiosas &#8211; elas e a maneira como se associam. Num momento, descobrimos que atravessamos o mundo, e que transpomos o infinito entre dois pensamento.\u00bb Fernando Pessoa This OuUnPo session gravitated around concepts such as path, ceremony, decadence, heteronomy. The title OuUnPo[RTO] stands for \u201cRecreative Temporary&#160;[&#8230;] <\/p>\n<p><a href=\"https:\/\/www.eegsynth.org\/ouunpo\/porto\" title=\"\" class=\"more-link\">Continue&#160;reading&#160;&#8230;<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-120","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/pages\/120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/comments?post=120"}],"version-history":[{"count":8,"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/pages\/120\/revisions"}],"predecessor-version":[{"id":306,"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/pages\/120\/revisions\/306"}],"wp:attachment":[{"href":"https:\/\/www.eegsynth.org\/ouunpo\/wp-json\/wp\/v2\/media?parent=120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}